If your hands were in mine
I'd be sure they could not sever
My apple tree, my brightness
It's time we were together
I'd be sure they could not sever
My apple tree, my brightness
It's time we were together
For I smell of the earth
And am worn by the weather
And am worn by the weather
When my family thinks
That I'm safely in my bed
From morn until night
I am stretched out at your head
That I'm safely in my bed
From morn until night
I am stretched out at your head
Calling out to the earth
With tears hot and wild
With tears hot and wild
My grief for the girl
That I loved as a child
Do you remember the night we were lost
In the shade of the blackthorn
And the chill of frost
In the shade of the blackthorn
And the chill of frost
And thanks be to Jesus
We did all that was right
We did all that was right
And your maiden head still
Is your pillar of light
Is your pillar of light
The priests and the friars
They approach me in dread
Because I still love you
My love and you're dead
They approach me in dread
Because I still love you
My love and you're dead
I still would be your shelter
Through rain and through storm
Through rain and through storm
And with you in your cold grave
I cannot sleep warm
I cannot sleep warm
So I am stretched on your grave
And will lie there forever
And will lie there forever
If your hands were in mine
I'd be sure they could not sever
I'd be sure they could not sever
My apple tree, my brightness
It's time we were together
It's time we were together
For I smell of the earth
And am worn by the weather
And am worn by the weather
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What finally made me start the photostory was an enormous amount aggravation around my attempts to make another Edgar Allan Poe tribute. As I mentioned in my last post, this Poe project is a collaboration, so there is some extra pressure. I had started shooting and found that practically everything was garbage.
Then, we had some rare snow in Vancouver, and to blow off some steam and do a less complicated project, I decided to try an interpretation of "I Am Stretched On Your Grave." Since this is a poem, I wanted to keep things a little more abstract. In "Ligeia," I tried to honour Poe's ambiguity. Here, I wanted to push the ambiguity of what is real and imagined a little further.
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